The first audio example exhibits this pop.
Some of the audio has already passed through uncompressed, which causes the pop. Without lookahead, if you’re using heavy compression (like for guitar sustain), you’ll hear a nasty pop because the compression can’t kick in until the audio exceeds the threshold-and by that time, it’s too late. Thus, the compressor knows in advance when it needs to apply compression. Lookahead delays the audio we hear, but the compressor monitors the audio in real time. However, none of these compressors has a lookahead feature.
Compression is generally quite soft.Figure 1: A fully loaded Fat Channel can choose from 11 compressors. In result, I think it's correct: the associated BLUETUBE (recess), the result has convinced me catch voice and acoustic guitar. then adjusted the input as would solve the treshold and go.
all, is to select "good program"įor this, read carefully this part of the record which details the methods to be used for different applications. The highlight of this compressor is to be able to settle in less than one minute timer while obtaining a result very honest and appropriate to the situation. It's confusing compared to other compressors but it is not at all pnalisant The treshold is fixed and we do vary the threshold for action thanks to the compressor input level (which is exactly the same). These parameters are indeed recorded for each application (voice, guitar, percussion) and selected by a rotary The BlueMax is a compressor with a bit SETTINGS particular, the attack time, release and ratios are used only in the manual position I tried a lot of other compressors dbx 166, Drawmer DS201 (and other most prestigious of which the comparison is absurd) any better than the BlueMax.īut less than 60 € it's still a good deal. The threshold at-10dB stuck in manual mode. Both channels necessarily links: no question of using a channel on the snare and one on the bass drum, for example because on one hand a single setting is possible, and also a peak on a channel leads compression on both channels. Input and Output asymmetric (not serious) She serves only as protection against possible peaks catch bass and vocals.Īesthetic treatment in the mix I prefer plugs (Rcomp waves) rather than the BlueMax (and converting a double). The compression works well, it is clean and efficient. Two-channel Compressor links (one setting for both channels).
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